Cultured Wednesday: Karl Friedrich Schinkel

Karl Friedrich Schinkel’s most famous extant buildings are found in and around Berlin.

If you have ever visited or seen pictures of Berlin, Germany, you most likely have seen a building drafted, re-designed or approved by Karl Friedrich Schinkel, Prussian city planner, architect and painter. Born on 13 March 1781 in Neuruppin, Schinkel was one of the most prominent neoclassical and neogothic architects of 19th century Germany and despite his influence and achievements, people still think he had even more potential that he could not live up to due to the political circumstances of his time.

Medieval City on a River, 1815

Schinkels most famous extant buildings in and around the German capital include the Neue Wache (1816–1818), the National Monument for the Liberation Wars (1818–1821), the Schauspielhaus (1819–1821) at the Gendarmenmarkt and the Altes Museum on Museum Island (1823–1830). He also carried out improvements to the Crown Prince’s Palace and to Schloss Charlottenburg.

The header to this post shows Schinkel’s stage set for the 1st Act of Mozart’s Magic Flute, dated 1815 just like the above painting, a design that is still quoted by modern-day stage designers when planning the set for this opera. We find his style quite wholesome, a good example of a time when people still had a clear idea of what was good and beautiful, and pleasing in an aesthetic sense, as well as where such ideas originated in the first place.

Castle by the River 1820

Schinkel, like so many artists of the 19th century, traveled a lot in Europe and particularly to Italy, the landscape and cities of which were and still are especially inspiring, it seems – just look at Johann Wolfgang von Goethe and his love for Italy, for instance. Of course, Goethe and Schinkel met and respected each other, in fact, the list of names the family Schinkel were acquainted with reads almost like a who-is-who of Germany’s 19th century artistic and royal circles. But returning to the Italian influences, Schinkel’s style, generally speaking, was defined rather by a turn to Greek than Roman architecture. “He believed”, they claim in his Wikipedia entry, “that in order to avoid sterility and have a soul, a building must contain elements of the poetic and the past, and have a discourse with them.” I guess the same kind of discourse between tradition and poetry can be found in his paintings if you are able to discern Nature’s voice in the lay of the land, or the trees that surround Schinkel’s painted buildings.

Karl Friedrich Schinkel died on 9 October 1841 in Berlin, leaving behind his wife Susanne and four children, three girls and a boy, the youngest daughter being 19 years old at the time. He was buried in the Dorotheenstädtischen Friedhof in Berlin-Center, where twenty years later his wife was laid to rest along with their two older daughters.

The Schinkel grave in Berlin

Eventually, several generations of architects from Berlin who were influenced by Schinkel’s style were classified as the “Schinkelschule“. So, if you ever visit Germany’s capital, keep a look out for building designed or re-designed by Schinkel, or later on built true to Schinkel’s style.

Remembering Our Ancestors: Angela Maria Tacken

This week 128 years ago, our 2nd (and 3rd) great-grandmother on the Cappius side passed away at the age of 68.

Haaren, a small but very old village in Germany which today belongs to Bad Wünnenberg, is the place to where we can trace the Cappius/Kappius family in history.  There, they lived since the late 18th century, and there they still live, not all of them, but many.  Their farm and extensive lands, and with them their house name Reele(n), eventually got lost, but parts of the family just moved to another house in town that also belonged to them, and this property is still family owned.  Haaren is full of Kappius families who all are related to each other to one degree or another; you just have to go back far enough and find the connections.

Angela Maria Tacken was born on 10 Jan 1823 in Haaren.  Her mother Christina Müller was originally from Wünnenberg, her father Heinrich Tacken was a day laborer in Haaren.

Angela married Franziskus Xaverius Kappius at St. Vitus church in Haaren (picture below) on 2 March 1849 when he was 27 years old, and she was 26.  The family lived in Haaren on the Reelen farm, the place that gave the family the house-name Reele(n) as an attachment to their family name.

Angela and Franziskus Xaverius had eleven children together between 1849 and 1869, three of which did not live to adulthood.  Their first son and second child Johannes was our (2nd) great-grandfather, and it appears that he moved to Grumme, a district of Bochum, with Angela and Franziskus when they left Haaren.  The reason for their move was probably the loss of the farm which happened around 1877, and the smaller house in Haaren was a good bit smaller than the farm had been and had only room enough for their son Konrad and his quickly growing family.

In Bochum-Grumme, Franziskus Xaverius died on 1 March 1888.  On 16 December 1891, only three and a half years later, Angela Maria Kappius died as well and was laid to rest in Bochum together with her husband, as far as we know.

Rest in Peace, Great-Grandma Kappius.

St. Vitus in Haaren

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