Aagaard’s work is especially notable for his inclusion of historical architecture and ruins, which he often located in epic and romantic milieu.
Carl Frederik Peder Aagaard (born 29 January 1833 in Odense on the Danish island of Funen, died 2 November 1895 in Copenhagen) was an incredible Danish painter. His paintings focus on Northern European forests and waterways, and they often include historical buildings, even like the water mill or farm house in the example below.
Tree-and-water lovers know this kind of light, and what it is like to sit by the brook or lake under the trees in spring, when the light falls through them just like this… It was no big surprise to learn that Carl Frederik Aagaard had lived some time with his brother, who was a woodcutter, in order to improve his painting (and observation) skills.
Spring, and with it the kind of light depicted in the painting, is not quite here yet, but January is about over and soon we shall know if spring will come early the year, or if winter will linger for another six weeks.
Most of Peder Mørk Mønsted’s landscapes were devoted to Scandinavia.
Peder Mørk Mønsted (10 December 1859 – 20 June 1941) was a Danish realist painter who is best known for his landscape paintings, and a 1995 exhibition of his work bore the very fitting title “Light of the North”. His Sunset Over a Forest Lake beautifully illustrates how someone can come up with such a title.
For us, his art shows how, and why, painting is superior to photography. There is a depth in these realistic scenes that might have something to do with the time spent painting, something photography is lacking. And while there surely is artistic photography even in this digital age where very little skill is required to create a “stunning” picture, it does not compare to the artistic expression in paint on canvas.
Let us invite you to sit quietly by the above forest lake for a spell, or, if you don’t feel like sitting, accompany the young lady and her cow below to the river. Take your time.